Press
"The beautiful thing we wish it to prosper that the rose of the beautiful does not expire, but even though everything in its seasoning dies, its bud has to bear memory of it. More prey you of the brightness of your eyes, your own light you live with your essence "
SAND / Mayo 2016
Press voices
"This simple approach gives rise to an exhibition of the acting skills of Corrientes, which works the keys of femininity and intimacy in the first part to derive in a greater extroversion, not exempt from a certain hermeticism, in the second."
Rosalía Gómez - Diario de Sevilla
An excited and expectant audience with every word, every sigh, every glance, at some point some smile, a lot of silence and respect before the accumulation of emotions and sensations that each of Juan Luis' moments transmits to us.
Luisjo - Atticus Magazine
"It is not usual, in these times, to bet on a form of experimental theater that aims to promote reflection and remove consciences, which is why projects such as this one, which was born precisely for that purpose, are quite a find. The dramaturgy It leads to the synthesis of poems with a discourse, halfway between physical theater and performance, which at a given moment does not hesitate to annul the fourth wall to release the dramatic tension of the verses "
Lola Pantoja, - The mail of Andalusia.
Press archive
INTERVIEW WITH JUAN LUIS CORRIENTES ACTOR, PROFESSOR SPECIALIZED IN COMMEDIA DEL 'ART AND ANCIENT STUDENT OF THE LABORATORY OF TNT
BY M. PAZ LÓPEZ MILLÓN
Why did you choose the TNT Laboratory?
The truth is that it was my desire to find other ways to develop myself as an actor. After finishing drama school in '98 and starting to work as an actor, it was a point and continued to join the TNT laboratory (Modern Times 1998).
JUAN LUIS CORRIENTES: "THE SPECTATOR IS A REAL AND LIVING ELEMENT THAT TRAVELS WITH US"
BY ÁLVARO LINARES
- Since you created your company, you declare to have a very clear objective: to escape from the taming of thought and work that human beings suffer in all areas. Can you explain this premise in more detail?
Basically we try to do what we want, without constraints that subject us to the time of throwing ourselves to tell what we want, and that time that the viewer has from that moment in which he sits in an armchair or is standing watching or hearing our scenic action, be minutes that shoot at reflection and not be sterile minutes or plan meerkat, which is that funny desert animal that comes out and returns to its burrow.
SHAKESPEARE STOPS IN TRIANA (Cadena SER)
BY ESTHER RODRÍGUEZ
Third installment of the 'Open sky' cycle, which guarantees the theater for the first time at the Centro Ceramica de Triana. This time the delivery comes from the Sevillian company Cia A Corriente project, where the head is Juan Luis Corrientes.
Following the line taken by the company in these years with montages on Teresa de Jesus or Bécquer, now offers this scenic capsule based on the sonnets of William Shakespeare called SAND / arena.
SEVILLA STARTS ITS "FIRST INTERNATIONAL MEETING OF COMEDIA DEL ARTE" (Cadena SER)
BY ESTHER RODRÍGUEZ
In the face of this weekend, the cultural agenda of Seville highlights the start of the "First International Comedy of Art Meeting". A cultural event that will aim to bring the language of theater closer to all audiences, in a leading city in the Golden Age.
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